Category Archive
for: ‘Tech Tools/Gadgets’

How the Video Viewing of Tomorrow Looks from Today

With the close of the Consumer Electronics Show 2011, and so many exciting and innovative new products revealed, I thought it would be appropriate to look ahead at where these technologies will take the video-viewing world, and whether they’ll have the impact their manufacturers are hoping for.

Let’s start with technology we already have: mobile video. Everyone with a smartphone has the ability now to stream any YouTube video or show on Netflix into the palm of their hand. In fact, the number of mobile views of YouTube videos in 2010 tripled over the previous year’s to a whopping 200 million views per day. With over a billion smartphones in use worldwide, not everyone’s watching – but almost. And many companies who have traditionally only broadcasted their content are now turning to mobile and other app-based interfaces for distribution.

Some – including FCC chairman Julius Genchowski – are even getting worried that the current US wireless infrastructure will not be able to handle the growth in mobile data transmission that is sure to come in the next five years. When Genachowski spoke at CES, he said that he is currently seeking approval from Congress that will allow wireless carriers to buy unused wireless spectrum from TV broadcasting companies at auction, with the government (who licenses the spectrum) and the broadcasting companies each taking a cut of the profits. According to Genachowski, all but 10% of American TV watchers get their TV by digital signal, not by transmission over the wireless spectrum, so a significant portion of it is going un-utilized.

As smartphone adoption grows, so too will their technology continue to approve. What’s next for phones, tablets, and maybe even magazines and newspapers? OLED.

OLED stands for Organic Light-Emitting Diode, which is just what it sounds like – a thin film of organic compounds which produce light when stimulated by an electric current. The big buzz around OLED is that it can be used to make paper-thin, flexible screens, as seen in Samsung’s CES demo above. Not only are the resolution and brightness outstanding, but it also uses a fraction of the power that it takes to run the LCD screens in today’s phones.

In addition to changing the face of smartphones, OLEDs could potentially be used to replace the many millions of tons of paper waste created by the magazine and newspaper industries each year – buy a Wall Street Journal OLED 2-pager (with subscription fee) and it automatically updates itself every morning (while storing a week’s worth of back issues). This platform would also allow to content providers that have traditionally been stuck in the time-consuming text-only medium to branch out and start providing vital information in video form. Sure, many magazines and papers are currently supplying iPad apps that accomplish this, but many iPad news consumers find they miss the convenience of the old form factor. Whether this tech will trend towards tablet consolidation or ePaper diversification remains to be seen.

Finally, most of the consumption of high-value content like shows and movies remains on the only medium which has utterly dominated for over 50 years: the ubiquitous household television.

And of course, the biggest change that’s coming to TV in 2011 is 3D. You’ve seen it on the floor at CES, you’ve seen it at Best Buy, you’ve even seen it in the Target newspaper insert. It seems like the entire TV industry – top-to-bottom – is going whole hog for 3D. But it isn’t without its issues. Many of the current 3D TVs must be viewed with glasses to get the 3D effect. Of the two types of glasses, Active Shutter glasses must be charged, cost over $100 each, and have been said to cause nausea, while the cheap-as-free Passive Shutter glasses take an apparently harsh dip in image crispness, brightness, and 3D “popitude”. Neither technology seems ready for every household, especially when you consider that most Americans would not be too excited about having to wear some fancy glasses just to watch The Office in 3D. That’s why I am personally excited about the forthcoming glasses-free 3D TVs (video above) that we just got a taste of at CES this year. Although plagued with a host of their own technological hurdles, glasses-free 3D seems like it has the best chance of wide adoption, due to ease-of-use and potentially lower cost.

Moving away from pure tech for a moment, I’d like to comment on another aspect of TV viewing that will grow in the next five years – interactivity. Devices like Apple TV and the Google TV-powered Logitech Revue have already added some apps and streaming-content services to our boring old TVs, allowing us to sever the cable connection. But is that enough to call our TVs truly “smart”? Music identification service Shazam is hoping that its new TV tagging platform will take that next step. Currently only available for one show on one channel, Shazam’s TV tagging will allow viewers to active the app (currently on for smartphones) and participate in social activities populated by other current viewers, such as discussions, polls, and even contests.

Broadcast organizations have been bemoaning the great migration of consumers towards online streaming content, which saps the broadcasters advertising revenue. But by linking social media with real-time broadcast (or streaming) content, broadcasters can hope to draw consumers back to the as-it-happens world of scheduled programming (and advertising). Potentially, shows could even have multiple storyline options, with the audience determining which one they want to see broadcast, which would also drive traffic of everyone wanting to see the other option to the broadcaster’s streaming site. I predict we will see a grand evolution in how we watch TV in the next five years – we will be doing much more than watching.

RED Scarlet (EPIC-S) and Pals: A Leap Forward in Digital Video?

Professional and hobbyist camera fiends have been long awaiting a hands-on experience with RED’s new super-HD digital cameras, and they finally got it this week at CES 2011. Check out Engadget’s hands-on with RED’s Ted Schilowitz

RED’s compact, high-resolution digital cameras have been in use in Hollywood for a few years now, having been used to shoot such films as District 9, The Social Network, and the upcoming adaptation of The Hobbit. So far they’ve made shooting easier and quicker, but some argue that the look of RED’s 4K digital can’t stand up to that of cinema’s traditional 35mm film. RED begs to differ, and offers statistics to back it up: 35mm film is about 3000 pixels wide in digital resolution. For reference, the resolution of typical HD video is about 1000 pixels wide. Meanwhile, RED’s 4K sensor has an approximate resolution of 3200 pixels (when converted). Film buffs may be able to notice a difference between 4K and 35mm, but the average movie-going public will enjoy it either way. On the other hand, what RED has got coming down the pipe might be enough to make even the most hardcore film-o-philes sit up and take notice: a camera with a 28000 pixel resolution. Remember how I said 3200 was high? 28,000. I’m not even sure there’s anything that can display so many pixels at once.

Will RED cameras soon be available for non-professionals? Probably not to buy, since the core of the camera alone costs a cool $25,000. But indie filmmakers out there shouldn’t despair – RED rigs are frequently rented out for rates in the mid-hundreds per day, far cheaper than standard 35mm rentals. But, as time and technology march onward, prices will hopefully drop far enough that making cinema-quality films won’t be restricted to big studios. Of course, by then we’ll all be accustomed to 3-D movies, TV, video games, and billboards, and it won’t matter how many pixels your silly 2-D camera has. Countdown to Facebook 3D photo support and Canon’s new 3D point-and-shoot starts… now.

Blogging Tools

I’ve been thinking about starting a personal blog for a few years but never quite executed on it.  So many of my peers from my Peer Group (HTG3) are blogging now that I’ve finally been shamed into it…  As I do, I (over?) researched tools and technologies to use for this endeavor.  After doing quite a bit of reading about different blogging platforms and tools, and creating accounts on several, I chose Typepad as my platform because of its history and how well it interoperates with other tools like Flickr and YouTube.  I’m a big believer in using domain names to make yourself “findable” so I registered varvid.com and used the typepad tools to assign the domain to varvid.typepad.com.

The point of this Blog is to talk about Video in Business – specifically for Microsoft Partners – so I needed easy ways to integrate video in – the biggest is YouTube of course – and I also created an account on soapbox.msn.com.  Both seem to work well.  I tend to take more photos than video – so I also got an account on Flickr for sharing photos.  Finally I lined up Mike Simmons with Voodufx to make this blog look good.  I think he did a fantastic job, even down to the favicon he built so if you bookmark the blog you get the cool "v" in your Favorites.  Outstanding job Mike!

Just as I was finalizing the design with him (over the course of last week) my family and I started our trip to Cando.  I realized that although I had a Sprint card for my laptop, I would likely have large portions of my trip with no data coverage. I was certainly correct about that!  So I started researching offline blog creation tools.  The best tool I found was Windows Live Writer – a free tool from Microsoft that allows you to post to a large number of blog hosting sites (like Blogger, Typepad, WordPress, Live Spaces, and even SharePoint!).  I’m writing this entry using Windows Live Writer (as I have all but my first post).  It has worked great – lets me post when I get access to a cell tower…  It’s a very robust tool, highly recommended!

VARvid!